Eight complete directions, each built for a different kind of business. Different trust models, different reading orders, different content loads, rather than one layout recycled in eight colour schemes.
The gallery stays selective on purpose. We open the rest only when we know what kind of business, sales path, and proof layer we are actually designing for.
Interiors and furniture showrooms
A furniture shop laid out as a home rather than a catalogue. Rooms are the navigation, every piece is photographed where it would actually stand, and new stock sits beside second-hand without a hierarchy between them.
Evening wear and event fashion
An evening fashion concept built for photography that has to survive being dark. Type sits inside a plate so it stays legible over an unlit image, and the whole page is paced like a single late scene rather than a grid of looks.
Catalogue retail and numbered editions
A shop that runs on the logic of a printed catalogue. Every item is a numbered lot with a written description, the index does the work a filter bar usually does badly, and there is nothing to scroll past to reach the goods.
Beauty and portrait studios
A beauty salon treated as a portrait studio. Saturated colour carries the whole page instead of decoration, the framed image is the argument, and the services read as a considered order of looking rather than a price list with photographs attached.
Consignment and intake services
A service concept for businesses that take things in from the public. Four steps stated in four words, the terms written out before anyone hands anything over, and a strong flat colour instead of photography the business may not have yet.
Exhibitions and cultural programmes
An exhibition read as a page instead of announced as an event. Rooms become sections, the wall label becomes a caption that stays with the work, and a visitor can follow the whole argument without ever standing in the building.
Magazines and editorial publishing
A magazine issue that behaves like one long argument. Ruled frames hold each study, the columns carry weight on their own, and the language toggle is stated as an editorial position rather than hidden in a corner.
These are the directions we can show publicly. The rest stay out of the public flow, and we open the ones that actually fit the business, the sales cycle, and the operating reality.